7/08/2010

Interview, EYE FOR FILM

Wherein I discuss the production of Hell Is Other People, and also my next feature, The Glass Slipper.

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2/22/2010

KFJC interview

Here I am on the radio discussing the film. Also being interviewed is Campbell Graham, writer/director of Anyone You Want, which is also premiering at Cinequest.

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2/04/2010

5 Questions: CQCentral.com

1Q: Tell us a little about the origins of HELL IS OTHER PEOPLE, from writing to financing.

The core concept of the film–that it would be built around an inscrutably shady character who makes his meager living by working out of his vehicle–came out of a conversation I overheard somewhere. The details of the conversation elude me given that this took place nearly four years ago now, but one of the “conversationalists” was telling the other about an experience he’d had with a weird computer repairman who would only meet his customers in liquor store parking lots in a beat-up old van. Something about that scenario suggested to me the potential for some rather dark and awkward humor. That being the kind of humor I’m attracted to, I stole the idea and started trying to flesh it out with my own details.

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Reactions:

"An existential nautilus shell wound as tightly as it is loose."
--Sara Schieron, BOXOFFICE MAGAZINE

"HELL IS OTHER PEOPLE functions as a seeming farewell to a place where the vistas aren't as large as they might be."
--Richard von Busack, METRO SILICON VALLEY

"Deft portrait of morally decaying figures surrounded by that same urban decay in the rundown South."
--Sam Ippolito, PITTSBURGH INDIE MOVIE EXAMINER

"Whaley has launched a counter-movement [...] that now just needs a catchy name to spread like wildfire."
--Brian Darr, HELL ON FRISCO BAY

HIOP On Twitter:
Director's Statement:

What is it about financial poverty that so often impoverishes the inner lives of those who suffer from it? Does the relationship even operate in this fashion, or does emotional poverty precede—even serve as a primary cause of, in some cases—the pecuniary variety? ... [This] is a private story whose movements could only be written by one man holding one camera.

»Read more...
On Limitation:

Don’t get me wrong; I love Chattanooga. ... I have learned to make large things from small nothings. My resolve has been permanently strengthened. I have been taught to know what I want and to aim only for that[.]

»Read more...
Director's Bio:

Jarrod Whaley is a Chattanooga, TN filmmaker who has, to this point, worked primarily with digital video. Whaley graduated from the University of Tennessee at Chattanooga with a double-major B.A. in English and French. He sits on the Board of Directors of the Shaking Ray Levi Society, a non-profit arts organization which has been bringing non-traditional creative work (such as improvised music, video, film, and performance arts) to Chattanooga, TN and elsewhere for over 20 years. In 2005, Whaley was one of several individuals appointed to the Chattanooga Film Commission by Mayor Ron Littlefield.